The World Is Tedy Brewski's in "Blue Blockers" Video /  by Maxwell Young

Tedy Brewski photograph by Maxwell Young

Tedy Brewski photograph by Maxwell Young

From iconic catchphrases to quintessential Nasty Nas and even silhouettes of Vlone wear,  Scarface --the 1983 American classic film--has made an indelible mark on popular culture. 

What boy, or girl, hasn't envisioned themselves as Tony Montana trying to woo Elvira Hancock?  This is rhetorical, of course, because Tedy Brewski has done just that in the music video for his hit bop, "Blue Blockers."  On the track off Connecticut raised, Maryland-transplant's 2017 EP, Platinum Beach, Brewski raps in self-actualization, "Imma get my money up/ We gonna earn the dough/ Nobody said that this would be easy."  At the same time, his head is photoshopped onto the body of Montana who's quickly becoming enchanted with the power and sexual trappings of the drug trade as he hustles through Miami. 

Brewski's four-minute video takes us back and forth from The Babylon Club where actors Al Pacino and Michelle Pfeiffer build up sexual tension to other iconic moments in the film, including the part where Montana acknowledges his success gazing at the passing air blimp that flashes the message, "The World is Yours..."  The lyrics and visuals are quite symbolic of a fast lifestyle defined by sex, drugs, and rock & roll as well as the depression that results from such materialistic wants. 

Check out the music video above and familiarize yourself with Team Brew's latest releases.

Sir E.U Pays Homage to Late, Great Avionadramida /  by Maxwell Young

Sir E.U inspects the microphone at Studio Ga Ga. Photographs by Maxwell Young

Sir E.U inspects the microphone at Studio Ga Ga. Photographs by Maxwell Young

"Avionadramida - Looks Are Deceiving, You can be the reason that you don't even get to see the world" by Sir E.U pays homage to Avionadramida, the late, great member of the Kool Klux Klan--a trio of DMV hip-hop emcees and producers (Avionadramida, Sir. E.U & rMell) who made a name for themselves traversing a fluctuating underground community in the early 2010s.  Both the Kool Klux Klan and Avionadramida are enigmatic figures when thinking about the context of music culture in the DIstrict.  Sir E.U has served as the historical link to the members, especially for those, like myself, who would have a later introduction to the city's creative scene.  Yet it is evident through the lasting visuals and local lore how much talent the group had and how fond music heads were of Avionadramida.

"A.V and E.U were like Goku and Vegeta, the Red and Blue Dragons, fucking Tweedle-Dee and Tweedle-Dum, Mel Gibson and Danny Glover, man, back-to-back," said Nate G, another DMV legend in his own right during his Uptown Interview last November.  "When you talk about two phenoms who really fed off one another and really pushed each other creatively and in competition--formed a brotherhood--they were fucking lit."

You may have already heard the DMV native's latest track.  He's played it live a number of times, in particular at his 25-hour rap marathon--a world record by the way--and he's adapted the partial lyrics, "I'm in U-P-T with a new PT, we cruise, we don't fucking play around" into a catchy hook for house sets at Studio Ga Ga and Backbar.

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If music is Sir E.U's product then wordsmithing is his manufacturing process.  It's interesting how he delivers his good, it's about control.  Instead of using social media to gauge the reception of a song snippet by likes and retweets, Sir E.U goes through a phase of beta tests trying out lyrics with different rhythms or performing a track live to see how the crowd engages with it before it's consumed by the internet.

"You just go crazy if motherfuckers hear the shit and try to tell you what to do and make that shit better, like shit ain't intentional," he said on an episode of Late Bloom Radio.  "And that's what everybody goes through as a person, you know.  'Cut your hair.  Ain't nothing wrong with you just shape your shit up.'  I want to control who's telling me to get a shape up."

This is one of the reasons why the DMV rapper released his latest album, Some Friend You Are via compact discs.  Sir E.U's music went from a public good available on SoundCloud for free, limitless streaming to a private good, which not only created a real market demand for his product but it also deterred the casual listeners who felt like they had a valuable critique on his craft.

The three-minute track is produced by Tony Kill who also created the visuals for the DVD version of Some Friend You Are.  Listen above and get to know more about the DMV's hip-hop scene here.

Listen to the New Singles From Rob Stokes' Album Live at the Heartbreak Hotel /  by Maxwell Young

Rob Stokes’ Go-Go inspired cover art.  

Rob Stokes’ Go-Go inspired cover art.  

There's a playlist in my Apple Music library called Hedonism and Psychedelics--sort of an ode to the sounds of the 1960s.  It's comprised of Lou Reed, The Velvet Underground, Nico, and Gillian Hills' "Zou bisou bisou," which you can hear Megan sensually sing to Don Draper in the Season 5 premiere of Mad Men.  From Love Was Made for These Times to his band's upcoming follow-up album, Live at the Heartbreak Hotel, Rob Stokes' music belongs in this playlist.

Today you can listen to the singles "Diamonds" and "KO" that tease Rob Stokes' (formerly known as Rob Smokes Funk Disaster) album debut in mid-April.  The single cover art is evocative of 60s culture as the faceless Go-Go dancer with the clunky platform calf boots and retro patterned mod dress with bell sleeves places you right back in an era where music was becoming more experimental and loosening its constraints.

This vintage aesthetic is quite prominent in modern culture.  Whether that's amplifying fashion trends or celebrating historical figures and moments that were conceived during the decade like the Grateful Dead, Playboy and Rolling Stone magazines, or the Civil Rights Movement--there's an emphasis on nostalgia.

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What drives Rob Stokes to call on these influences in his music?  Find out next Wednesday on Late Bloom via FullServiceRadio.org where he will guest star.  In the meantime, enjoy the sonic trip of "Diamonds" and "KO" below, and if you're in the District this Saturday, Rob Stokes' band will be hosting a single release party at Safari D.C. with special guests Ledroit, Sir E.U, Crackspliff, FootsxColes, and the Bird Hour who hail from Pittsburgh.

 

$5, 10pm-2:30am

Safari D.C.

4306 Georgia Ave, NW

 

 

B. Knight /  by Alex Young

The Superstar You Don't See Coming.

B. Knight | Photos by Alex Young

Brian Michael Knight Jr. fired on his friends. He was funny cracking jokes against Kevin Galloway,  Nairobi Jones, Tykee Jones, and Terrell Robinson as they all clowned around eating McDonald's before they headed out into the night, Downtown, Pittsburgh winter weather to film a music video. Knight turned his attention to women who walked by in the lobby of Point Park University's apartment complex. Legs in tight jeans and complementary boots caught us staring. Once, Robinson cracked an unassuming smile and Knight said, "When you smile, it looks like you dookied on yourself." We all howled.

The '90s baby, Knight was "always attracted to entertainers," he said. He was a four-year-old standing on his bed performing for a large imaginary audience.

Now, he goes by B. Knight, and his then imagination for stardom manifests itself in B. Knight's performance and his upcoming mixtape called "Unapologetic."

Dancing came first, and his brother showed him how to moonwalk, but Knight said "both sides of my family sing" so doing both came naturally young. "Brian McKnight, I thought that nigga was my dad. I was all over his shit," he said. He remembers studying R&B legend Usher with his 2001 "8701" album, citing "U Remind Me" and "U Dont Have to Call" as good influences. "When Chris Brown came, it ruined my whole shit." The comparable artists describe an "edge" that features in B. Knight's music.

When it comes to the music, the 21-year-old McKeesport raised Knight finds that "it's so easy to make something organic."

"Unapologetic," a project executive produced by the sound of the streets Stevie B, is about "knowing you're the best," Knight said. And, "when you want to be humble, but you know who you are. When you're the best you, that's when it's over."

B. Knight's team allows him to be "unapologetically myself," he said. Stevie B's been an asset to the singer-songwriter. "We both got that same love for Usher. We listened to the same stuff coming up," Knight said of the super producer who gets credit for the music behind trap-stars like Hardo and Jimmy Wopo. However, "friendship" makes Knight's music work with Stevie B. Also, being around the producer influences B. Knight's writing process and his cadence. "I write my songs like raps," he said keying on his song "My Place."

Additionally, director Kevin Galloway, photographer Nairobi Jones, comrade Tykee Jones, and director Terrell Robinson, also known as Maur The Sun, support B. Knight with the professional aspects of his musical act.

Galloway and Robinson were the cinematographer and director respectively for Knight's music video shoot for the interlude song on the "Unapologetic" tape called "SKEEE Back Interlude (3x in a Row)." It's a two-part story about Knight's life riding the bus to clock-in work at Target, and then the music video paints the picture of B. Knight the "superstar."

B. Knight, Kevin Galloway, Terrell Robinson and Nairobi Jones | Photos by Alex Young

For the set, the crew wanted comparisons to, "alleyways from 'Batman' or alleyways behind the club from hood movies," Robinson said. We travelled in a three-car convoy while Galloway and Robinson scouted alleys until they stopped at one between Commerce Street and Centre Avenue. Galloway called the video shots "sleek" that matched B. Knight's swagger "so people can see this and be like ‘he’s the star he says he is,'" Robinson continued. Cameraman Nairobi helped the visuals and composition. Knight trusts him because he moves "rapid with his profession."

The friendly vibe around the group makes standing in the cold covering the subjects enjoyable. Between Tykee, better known by his rap name Keys412, and B. Knight, "we know the common ground that we like music and weed and we pay attention to girls," Knight said.

"I like relationships. I'm really good at it," B. Knight said. "No, you like the idea of them," Keys finished. "Nowadays, [girls] want the whole shebang," Knight added. They always have, and they deserve the shebang, but now he says these elaborate prom proposals on Instagram are becoming too much. Being let down in love "helped my writing," he said focusing on the interview.

Overall, B. Knight knows he must "accept you're on a journey." When "Unapologetic" drops this spring, he feels like "it's 'gonna be a good moment."

Update: 3/31/18

Tanglewood storytellers ante up for B. Knight's music video. 

What You Should Know About Foreverkool: Before The Dirt Vol. 1 /  by Alex Young

Foreverkool Records' "Before The Dirt Vol. 1" | Album art by Travis Carter

Foreverkool Records' "Before The Dirt Vol. 1" | Album art by Travis Carter

Foreverkool friends and music talents released their compilation mixtape called "Before The Dirt Vol. 1." Fk captain Choo Jackson said in an interview with swidlife publication, "It was fun finding a pocket in what I think 2018 should sound like and what my homies sound like now, too." Altogether, Foreverkool turned up here.

The digital bop lights the way in "Before The Dirt Vol. 1."

Aw yeah, aw yeah, aw yeah floss everywhere

Transform, 'wanna be a millionaire

[Phil800k in "Transform" with production by Staxx and a feature by Choo Jackson]

Along with the artists mentioned above, rappers SGE Bubba, SLIM, and Shaady feature on the project. Including Staxx, Christo, Jay Card, Quentin "Q" Cuff are also responsible for production on "BTD." Album art is courtesy of Travis Carter. Credit the Foreverkool mates for setting the tone and contributing to the mixtape. Local Pittsburgh photographer and tastemaker Meez of The Cultivators helped "choose the songs," Choo said on his Twitter account. Twitter has been the go-to place for cool tidbits on the project regarding who helped make the magic. Pittsburgh influence is heavy, and so are Choo's Florida roots. Talent carries "Before The Dirt Vol. 1."

Another tidbit:

"Slim always been the best rapper, he like a rare Pokémon or something you gotta catch him, sit him in the studio and he will drop crazy shit, then will be out haha." - Choo Jackson

Listen to "Before The Dirt Vol. 1" below and look out for Choo's next project called "Lynn," a dedication to his mother, on June 19, 2018.