ITR: Can you walk me through your "Woke Boi Freestyle"?
TB: Oh yea, man. "Woke Boi" was originally called "Broke Boi Freestyle," but then my internet friend, Kemet Dank, I don't know if you've ever heard of Kemet Dank. He's like another Based God disciple, but he was like 'Yo, this is woke. This is a woke boi,' and then I had to change the name. When I was in D.C. there was a Playboi Carti show at 9:30 [Club]...no it wasn't 9:30 it was one that got closed, but I forget what it was called. That shit was mad fun. I was just jumping around and shit, just like 'Damn, I gotta evolve my style to do some other shit.' But that sound is influenced by André 3000. When I came to college at UMD, Lil' Wayne was the shit. He had 'Da Drought', 'The Carter', the 'Dedication' tapes...But with ["Woke Boi"] I wanted to freestyle, you know, ball all the way.
ITR: Is [mumble rap] hip hop music to you?
TB: Definitely, man. I think at the end of the day that stuff was influenced by 'snap rap' and 'snap rap' was influenced by 'gangsta rap' and 'gangsta rap' was influenced by 'boom bap' I would say. It's like a long heritage of shit that I try to keep up with. Like Lil' B's new tape, he really went all the way back to the 80's that was funny.
ITR: That was awesome. I knew about Lil' B, but I wasn't really listening to him whenever he put out his last tape. So ['Black Ken'] is my understanding of Lil' B. it was kind of like a synthesis of decades.
TB: Yea, it's great because he produced the whole thing. I've got whole tapes I produced, too. 'Typical Black Punks,' I don't know if you've heard that...that shit is crazy. I try and jump between sounds because I wanna cover everything that is affecting me in my life.